Onieguin

Functions and Availability of Tickets

Onieguin

Descripción

BALLET IN THREE ACTS
CHOREOGRAPHY: JOHN CRANKO
MUSIC: PIOTR ILICH TCHAIKOVSKI, ARRANGED AND ORCHESTRATED BY KURTZ-HEINZ STOLZE

TEATRO COLÓN PRODUCTION

Production Copyrights: Dieter Graefe

Onieguin, by Piotr Illich Tchaikovsky, version by Kurt-Heinz Stolze, represented by Adrian Thome Musikverlag

HAND PROGRAM

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DIRECTOR DEL BALLET ESTABLE

Maximiliano Guerra

FORMACIÓN Y COMIENZOS

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CODIRECTORA DEL BALLET ESTABLE

Myriam Barroso

Comenzó sus estudios con Vera Stankaitis y Lucia Silva, obteniendo los títulos de profesora de danzas clásicas y danzas españolas. Luego se formó en el Instituto Superior de Arte del Teatro Colón (ISA).

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Permanent Ballet

The Permanent Ballet of the Teatro Colón was born of the concern that in the nineteenth century arises in Buenos Aires to have national artists who satiate the thirst for ballet awakened by the visit of countless foreign companies. It was in 1925 when the company's debut was realized.

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DIRECTOR MUSICAL

Javier Logioia Orbe

En 25 años de carrera artística ha sido Director Titular de las orquestas Filarmónica de Buenos Aires, Estable del Teatro Argentino de La Plata, Sinfónica y de Cámara de la Universidad Nacional de Cuyo, de Córdoba, de Rosario, de Concepción (Chile), Filarmónica de Montevideo,

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Buenos Aires Philharmonic Orchestra

Created in 1946 with the name of "Municipal Theater Symphony Orchestra", it was the first exclusively symphonic official orchestra of the city of Buenos Aires. Its first regular directors were the teachers Lamberto Baldi and Jaime Pahissa.

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COREÓGRAFA REPOSITORA

Agneta Valcu

Nació en Estocolmo. Allí se formó con Lilian Karina y en la Real Academia de Ballet de Suecia. En 1968 fue contratada por la Real Academia de Suecia y tras finalizar su educación en el Instituto Benesh de Londres, fue contratada por el director de ballet Erik Bruhn.

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COREÓGRAFO REPOSITOR

Victor Valcu

Nació en Bucarest, Rumania. Estudió en la Escuela Coreográfica de Bucarest y en la Escuela Vaganova de Leningrado, San Petersburgo. A partir de 1969 se desempeñó como primer bailarín de la Ópera de Rumania.

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GUEST PRINCIPAL DANCER

Marianela Núñez

She was born in Buenos Aires, at the age of eight she was admitted to the Instituto Superior de Arte del Teatro Colón in Buenos Aires where she studied until she was invited to join the corps de ballet of the Company at the age of 14.

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PRINCIPAL DANCER

Karina Olmedo

She began her studies at the age of 8 at the Argentine National School of Dance and independently with Gloria Kazda. At the age of 14 she entered the Teatro Colón Institute of Advanced Studies in Art and then the Permanent Ballet.

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PRINCIPAL DANCER

Alejandro Parente

He studied at Teatro Colón’s Instituto Superior de Arte and with several teachers, especially, under the tutelage of Rada Eichenbaum.

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PRINCIPAL DANCER

Juan Pablo Ledo

He started studying with Wasil Tupin and Lucia Wurst. At age fifteen he entered Teatro Colón’s Instituto Superior de Arte, then Julio Bocca’s Ballet Argentino and, at age 21, Teatro San Martín’s Ballet Contemporáneo. In 2004 he joined Teatro Colón Permanent Ballet.

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PRINCIPAL DANCER

Nadia Muzyca

She studied with Lidia Segni and at Teatro Colón’s Instituto Superior de Arte. She was part of Julio Bocca’s Ballet Argentino, who chose her as his partner in Pulsations. She was principal dancer of the Ballet Estable del Teatro Argentino de La Plata until 2004.

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PRIMER BAILARÍN

Matías Santos

Comienza sus estudios en Entre Ríos a los 18 años, e ingresa luego al ISA realizando giras por México, Uruguay y Escocia. En el 2005 se une al Ballet Estable del Colón destacándose como solista y bailarín principal en varias producciones.

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