Norma

He made his debut on the podium with Il trovatore when he was only nineteen years old.

Born in Las Flores (Buenos Aires), he is an architect and régisseur. He was Production Director of the Monte Carlo Opera, Artistic Director of Las Palmas de Gran Canaria Opera and currently directs the Alfredo Kraus International Foundation.

He graduated from the Teatro Colón Institute of Advanced Studies in Art as a set and costume designer. With Roberto Oswald he formed a creative couple that shone for decades.

Claudia Bottazzini mastered in Set design and Enrique Dartiguepeyrou in Fine Arts. They developed their careers as set designers inside and outside the Teatro Colón, both of them occupying the position of Head of the Set Design Section.

He began his career at the Teatro Colón and he has been supervisor of the Lighting Section since 1988. He is currently Head of the section.

He began studying piano at the School of Fine Arts in Quilmes and finished his studies at the National Conservatory of Music in Buenos Aires.

After singing Amelia (Un ballo in maschera) at the Teatro Regio in Turin in 2012, she positioned herself as one of the most prestigious sopranos of her generation.

American singer Christina Major first sang Norma in 2017 with the West Bay Opera in San Francisco and recently played the roles of Mimi in La bohème with the Forth Worth Opera (Texas), Elektra in Idomeneo at the San Jose Opera (California), Violetta in La traviata in Coeur D'A

Born in Brescia (Italy), she made her debut in the role of Cherubino in I due Figaro (Merchant) in Salzburg, staged by Muti, a production she also starred in at the Ravenna Festival, at Real de Madrid and at Teatro Colón in Buenos Aires.

One of the most internationally required young lyric singers, he has been invited to the Royal Opera House Covent Garden in London, Teatro alla Scala in Milan, Opéra National in Paris, Teatro Real in Madrid, Gran Teatre del Liceu in Barcelona, Staatsoper Unter den Linden in Be

He graduated from the National Conservatory of Music of Mexico (where he took classes with Enrique Jaso) and in 1994 he traveled to Europe, where he continued his training at the Superior School of Music and Dramatic Art of Vienna.