La bayadėre

Functions and Availability of Tickets

La bayadėre


JUE 17 | 20H | Función Extraordinaria
VIE 18# | 20H | Función Extraordinaria 
SÁB 19 | 20H | Función Extraordinaria
DOM 20*| 17H | Abono Vespertino
MAR 22* | 20H | Abono Nocturno 
MIÉ 23 | 20H | Función Extraordinaria
SÁB 26# | 20H | Función Extraordinaria 
DOM 27 | 17H | Función Extraordinaria
MAR 29 | 20H | Función Extraordinaria
MIÉ 30 | 20H | Función Extraordinaria


In this ballet inspired by an idealized Eastern setting, Petipa combined classical pas de deux with Indian exoticism and temple dancers: bayadères. This is the story of an impossible love that, in the kingdom of the shades, wins over the impositions of the earthly world. The 1980 version by the Russian dancer and choreographer Natalia Makarova (based on Petipa’s original ballet) for the American Ballet Theatre was the first in finding a permanent place in the repertoires of ballet companies around the world. Principal dancer at Kirov, ABT and Royal Ballet, she always displayed a brilliant dance technique and dramatic eloquence. Now she comes back to Teatro Colón to be in charge of the revival and to be paid a more-than-deserved homage to her remarkable career.


Buenos Aires Philharmonic Orchestra
Gavriel Heine 


Paloma Herrera

Born in Buenos Aires, Argentina, she began her training with Olga Ferri and graduated with the highest qualification at Teatro Colón Institute of Advanced Studies in Art.


Permanent Ballet

The Permanent Ballet of the Teatro Colón was born of the concern that in the nineteenth century arises in Buenos Aires to have national artists who satiate the thirst for ballet awakened by the visit of countless foreign companies. It was in 1925 when the company's debut was realized.


Buenos Aires Philharmonic Orchestra

Created in 1946 with the name of "Municipal Theater Symphony Orchestra", it was the first exclusively symphonic official orchestra of the city of Buenos Aires. Its first regular directors were the teachers Lamberto Baldi and Jaime Pahissa.


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