ISATC at the Golden Hall

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Una propuesta basada en el juego como pulsión de vida, el arte como curiosidad y exploración, la creatividad como base de la educación de este siglo.

Valensamble
MUSIC DIRECTOR | Valentin Garvie

Valensamble
MUSIC DIRECTOR | Valentin Garvie

Buenos Aires Philharmonic Orchestra
CONDUCTOR | Enrique Arturo Diemecke

Valensamble
MUSIC DIRECTOR | Valentin Garvie

Valensamble
MUSIC DIRECTOR | Valentin Garvie

DIRECTOR | Roberto Saccente

Valensamble
MUSIC DIRECTOR | Valentin Garvie

OPERA IN FOUR ACTS (1842)
Libretto in Italian by Temistocle Solera, based on the Old Testament and the French play Nabuchodonosor by Francis Cornue and Anicète Bourgeois

OPERA IN FOUR ACTS (1842)
Libretto in Italian by Temistocle Solera, based on the Old Testament and the French play Nabuchodonosor by Francis Cornue and Anicète Bourgeois

CONDUCTOR | Enrique Arturo Diemecke
PIANO | George Harliono

OPERA IN FOUR ACTS (1842)
Libretto in Italian by Temistocle Solera, based on the Old Testament and the French play Nabuchodonosor by Francis Cornue and Anicète Bourgeois

OPERA IN FOUR ACTS (1842)
Libretto in Italian by Temistocle Solera, based on the Old Testament and the French play Nabuchodonosor by Francis Cornue and Anicète Bourgeois

DIRECTOR | Roberto Saccente

OPERA IN FOUR ACTS (1842)
Libretto in Italian by Temistocle Solera, based on the Old Testament and the French play Nabuchodonosor by Francis Cornue and Anicète Bourgeois

OPERA IN FOUR ACTS (1842)
Libretto in Italian by Temistocle Solera, based on the Old Testament and the French play Nabuchodonosor by Francis Cornue and Anicète Bourgeois

CONDUCTOR | Enrique Arturo Diemecke
VIOLIN | Ray Chen 

OPERA IN FOUR ACTS (1842)
Libretto in Italian by Temistocle Solera, based on the Old Testament and the French play Nabuchodonosor by Francis Cornue and Anicète Bourgeois

OPERA IN FOUR ACTS (1842)
Libretto in Italian by Temistocle Solera, based on the Old Testament and the French play Nabuchodonosor by Francis Cornue and Anicète Bourgeois

VIOLIN | Laurent Albrecht Breuninger
PIANO | Ana Flávia Frazão

DIRECTOR | Fernando Tomé

Teatro Colón’s Resident Orchestra
CONDUCTOR | Mika Eichenholz

VIOLIN | Freddy Varela Montero

BALLET

APRIL
SAT 18 | 17H

Ludwig van Beethoven
Quartet No. 2 in G Major, Op. 18

Juan Carlos Zorzi
Three Pieces for String Quartet

Ludwig van Beethoven
Quartet No. 8 in A Minor, Op. 59/2

OCTOBER
SAT 17 | 17H

HARMONICA
Franco Luciani

—

Ludwig van Beethoven
Quartet No. 16 in F Major, Op. 135

Esteban Benzecry
Wirin, for Harmonica and String Quartet

Ludwig van Beethoven
Great Fuge [17] in B-flat Major, Op. 133

Buenos Aires Philharmonic Orchestra
GUEST CONDUCTOR | Ezequiel Silberstein
DOUBLE BASS | Pedro Salerno

CONDUCTOR | Enrique Arturo Diemecke
TUBA | Richard Alonso

OPERA IN THREE ACTS (1950)
Libretto in English by Gian Carlo Menotti

VIOLIN | Francesco D’Orazio

OPERA IN THREE ACTS (1950)
Libretto in English by Gian Carlo Menotti

CONDUCTOR | Enrique Arturo Diemecke
PIANO | Boris Giltburg

Piano recital | Ralph Votapek

Moscow Virtuosi Orchestra
CONDUCTOR | Alexander Soloviev
VIOLIN | Viktoria Mullova

PIANO | Boris Giltburg 

OPERA IN THREE ACTS (1950)
Libretto in English by Gian Carlo Menotti

OPERA IN THREE ACTS (1950)
Libretto in English by Gian Carlo Menotti

OPERA IN THREE ACTS (1950)
Libretto in English by Gian Carlo Menotti

GUEST CONDUCTOR | Emmanuel Villaume
PIANO | Andrew von Oeyen

OPERA IN THREE ACTS (1863)
Libretto in French by Eugène Cormon and Michel Carré

OPERA IN THREE ACTS (1863)
Libretto in French by Eugène Cormon and Michel Carré

GUEST CONDUCTOR | Marco Parisotto
CELLO | José Araujo

Teatro Colón’s Resident Ballet
DIRECTOR | Paloma Herrera

OPERA IN THREE ACTS (1863)
Libretto in French by Eugène Cormon and Michel Carré

Teatro Colón’s Resident Ballet
DIRECTOR | Paloma Herrera

SOPRANO | Mariella Devia

OPERA IN THREE ACTS (1863)
Libretto in French by Eugène Cormon and Michel Carré

OPERA IN THREE ACTS (1863)
Libretto in French by Eugène Cormon and Michel Carré

OPERA IN THREE ACTS (1863)
Libretto in French by Eugène Cormon and Michel Carré

CONDUCTOR | Enrique Arturo Diemecke
FRENCH HORN | Luca Benucci

SOPRANO | Verónica Cangemi
MEZZO-SOPRANO | Sonia Prina

CONCERT

Piano duo | Carles & Sofía

SOPRANO | Pretty Yende

CONDUCTOR | Nicolás Rauss 

CONDUCTOR | Enrique Arturo Diemecke
MEZZO-SOPRANO | Hanna Ludwig
TENOR | Norbert Ernst

ÓPERA-ORATORIO EN UN ACTO

ÓPERA-ORATORIO EN UN ACTO

ÓPERA-ORATORIO EN UN ACTO

Buenos Aires Philharmonic Orchestra
CONDUCTOR | Enrique Arturo Diemecke
HORN QUARTET | Bayres Horns

OPERA IN THREE ACTS (1900)

Libretto in Italian by Luigi Illica and Giuseppe Giacosa

Based on the play La Tosca, by French playwright Vitorien Sardou

DIRECTOR | Guido Vacca

OPERA IN THREE ACTS (1900)

Libretto in Italian by Luigi Illica and Giuseppe Giacosa

Based on the play La Tosca, by French playwright Vitorien Sardou

OPERA IN THREE ACTS (1900)

Libretto in Italian by Luigi Illica and Giuseppe Giacosa

Based on the play La Tosca, by French playwright Vitorien Sardou

OPERA IN THREE ACTS (1900)

Libretto in Italian by Luigi Illica and Giuseppe Giacosa

Based on the play La Tosca, by French playwright Vitorien Sardou

GUEST CONDUCTOR | Alexander Vedernikov
PIANO | Iván Rutkauskas

CHAMBER OPERA IN ONE ACT

OPERA IN THREE ACTS (1900)

Libretto in Italian by Luigi Illica and Giuseppe Giacosa

Based on the play La Tosca, by French playwright Vitorien Sardou

OPERA

OPERA IN THREE ACTS (1900)

Libretto in Italian by Luigi Illica and Giuseppe Giacosa

Based on the play La Tosca, by French playwright Vitorien Sardou

CHAMBER OPERA IN ONE ACT

OPERA

CHAMBER OPERA IN ONE ACT

OPERA IN THREE ACTS (1900)

Libretto in Italian by Luigi Illica and Giuseppe Giacosa

Based on the play La Tosca, by French playwright Vitorien Sardou

OPERA IN THREE ACTS (1900)

Libretto in Italian by Luigi Illica and Giuseppe Giacosa

Based on the play La Tosca, by French playwright Vitorien Sardou

OPERA IN THREE ACTS (1900)

Libretto in Italian by Luigi Illica and Giuseppe Giacosa

Based on the play La Tosca, by French playwright Vitorien Sardou

CONDUCTOR | Leo Eylar 

GUEST CONDUCTOR | Marcelo Ayub
DOUBLE BASS | Javier Dragún

Teatro Colón’s Resident Orchestra
CONDUCTOR | Silvio Viegas 

BALLET

BALLET

BALLET

BALLET

BALLET

BALLET

BALLET

CONCERT
Musical Illustrations to A. Pushkin's Story

CONCERT
Musical Illustrations to A. Pushkin's Story

CONCERT
Musical Illustrations to A. Pushkin's Story

GUEST CONDUCTOR | Pinchas Steimberg
SOLOIST | Concertino OFBA

CONCERT
Musical Illustrations to A. Pushkin's Story

CONDUCTOR | Gustavo Dudamel

CONCERT
Musical Illustrations to A. Pushkin's Story

CONDUCTOR | Gustavo Dudamel

CONDUCTOR | Evandro Mattè

GUEST CONDUCTOR | Pablo González
ACCORDION | Iñaki Alberdi

OPERA IN ONE ACT (1869)
Libretto in German by Richard Wagner

PIANO | Bruno Leonardo Gelber

GUEST CONDUCTOR | Isaac Karabtchevsky
CELLO |Benedict Kloeckner

OPERA IN ONE ACT (1869)
Libretto in German by Richard Wagner

ISATC’s Academic Orchestra
CONDUCTOR | Ezequiel Silberstein

Vocal Camerata of Chile
DIRECTOR
Rodolfo Saglimbeni

CELLO | Benedict Kloeckner
PIANO | Cristian Budu 

OPERA IN ONE ACT (1869)
Libretto in German by Richard Wagner

OPERA IN ONE ACT (1869)
Libretto in German by Richard Wagner

Orquesta Filarmónica de Buenos Aires
DIRECTOR INVITADO | Pablo Boggiano
PICCOLO | Horacio Massone

Buenos Aires Philharmonic Orchestra
GUEST CONDUCTOR | Pedro Amaral
CELLO | Matías Villafañe

Ancient Voices of Children Book of Madrigals
DIRECCIÓN MUSICAL | Enrique Arturo Diemecke

Ancient Voices of Children Book of Madrigals
DIRECCIÓN MUSICAL | Enrique Arturo Diemecke

VIOLIN | Rafael Gintoli
PIANO | Alicia Belleville

Ancient Voices of Children Book of Madrigals
DIRECCIÓN MUSICAL | Enrique Arturo Diemecke

CONDUCTOR | Enrique Arturo Diemecke
VIOLIN | Midori

VIOLÍN | Midori

Buenos Aires Philharmonic Orchestra
VIOLIN | Eduardo Ludueña

GUEST CONDUCTOR | Edo de Waart
PAINO | Ingrid Fliter

ÓPERA EN TRES ACTOS (1835)
Libreto en italiano de Salvatore Cammarano
Basado en la novela The Bride of Lammermoor de Sir Walter Scott

ÓPERA EN TRES ACTOS (1835)
Libreto en italiano de Salvatore Cammarano
Basado en la novela The Bride of Lammermoor de Sir Walter Scott

OPERA IN TWO ACTS (1991)
Libretto by Juan Tovar, based on the play by Octavio Paz and the short story by Nathaniel Hawthorne

GUEST CONDUCTOR | Paolo Bortolameolli
PIANO | Khatia Buniatishvili

OPERA IN TWO ACTS (1991)
Libretto by Juan Tovar, based on the play by Octavio Paz and the short story by Nathaniel Hawthorne

ÓPERA EN TRES ACTOS (1835)
Libreto en italiano de Salvatore Cammarano
Basado en la novela The Bride of Lammermoor de Sir Walter Scott

ÓPERA EN TRES ACTOS (1835)
Libreto en italiano de Salvatore Cammarano
Basado en la novela The Bride of Lammermoor de Sir Walter Scott

OPERA IN TWO ACTS (1991)
Libretto by Juan Tovar, based on the play by Octavio Paz and the short story by Nathaniel Hawthorne

OPERA IN TWO ACTS (1991)
Libretto by Juan Tovar, based on the play by Octavio Paz and the short story by Nathaniel Hawthorne

ÓPERA EN TRES ACTOS (1835)
Libreto en italiano de Salvatore Cammarano
Basado en la novela The Bride of Lammermoor de Sir Walter Scott

Alessandro Baricco

OPERA IN TWO ACTS
Libretto by Lorenzo Da Ponte
Music by Wolfgang Amadeus Mozart

ÓPERA EN TRES ACTOS (1835)
Libreto en italiano de Salvatore Cammarano
Basado en la novela The Bride of Lammermoor de Sir Walter Scott

OPERA IN TWO ACTS
Libretto by Lorenzo Da Ponte
Music by Wolfgang Amadeus Mozart

ÓPERA EN TRES ACTOS (1835)
Libreto en italiano de Salvatore Cammarano
Basado en la novela The Bride of Lammermoor de Sir Walter Scott

OPERA IN TWO ACTS
Libretto by Lorenzo Da Ponte
Music by Wolfgang Amadeus Mozart

Ensamble Dal Niente (en residencia).
DIRECCIÓN ARTÍSTICA | Benjamin Melsky

ÓPERA EN TRES ACTOS (1835)
Libreto en italiano de Salvatore Cammarano
Basado en la novela The Bride of Lammermoor de Sir Walter Scott

COUNTERTENOR | Philippe Jaroussky

Ensamble Dal Niente (en residencia).
DIRECCIÓN ARTÍSTICA | Benjamin Melsky

Ensamble Dal Niente (en residencia).
DIRECCIÓN ARTÍSTICA | Benjamin Melsky

Ensamble Dal Niente (en residencia).
DIRECCIÓN ARTÍSTICA | Benjamin Melsky

APRIL
SAT 18 | 17H

Ludwig van Beethoven
Quartet No. 2 in G Major, Op. 18

Juan Carlos Zorzi
Three Pieces for String Quartet

Ludwig van Beethoven
Quartet No. 8 in A Minor, Op. 59/2

OCTOBER
SAT 17 | 17H

HARMONICA
Franco Luciani

—

Ludwig van Beethoven
Quartet No. 16 in F Major, Op. 135

Esteban Benzecry
Wirin, for Harmonica and String Quartet

Ludwig van Beethoven
Great Fuge [17] in B-flat Major, Op. 133

Ensamble Dal Niente (en residencia).
DIRECCIÓN ARTÍSTICA | Benjamin Melsky

DIRECTOR | Emilio Rocholl

Ensamble Dal Niente (en residencia).
DIRECCIÓN ARTÍSTICA | Benjamin Melsky

Buenos Aires Philharmonic Orchestra
GUEST CONDUCTOR | Beatrice Venezi
CLARINETE BAJO | Sebastián Tozzolla

Buenos Aires Philharmonic Orchestra
CLARINET | Eloy Fernández Rojas

Dover String Quartet
String quartet

—

Joseph Haydn
Quartet No. in D Minor, Op. 76 No. 2

György Ligeti
Quartet No. 1, Métamorphoses nocturnes

Antonín Dvořák
Quartet in G Major, Op. 106

GUEST CONDUCTOR | Ramón Tebar
MEZZO-SOPRANO | María José Montiel

ÓPERA EN TRES ACTOS (1738)
Libreto en italiano de Silvio Stampiglia

Trio sonatas from the German Baroque

TEATRO COLÓN’S RESIDENT ORCHESTRA
MUSIC DIRECTOR | Charles Dutoit
PIANO | Martha Argerich

DIRECTOR | Emilio Rocholl

ÓPERA EN TRES ACTOS (1738)
Libreto en italiano de Silvio Stampiglia

ÓPERA EN TRES ACTOS (1738)
Libreto en italiano de Silvio Stampiglia

ÓPERA EN TRES ACTOS (1738)
Libreto en italiano de Silvio Stampiglia

GUEST CONDUCTOR | Charles Dutoit
PIANO | Martha Argerich

TEATRO COLÓN’S RESIDENT ORCHESTRA
MUSIC DIRECTOR | Charles Dutoit

CONCERT

VIOLÍN | Anna Reszniak
PIANO | Lars Vogt

GUEST MUSIC CONDUCTOR
Charles Dutoit

TEATRO COLÓN’S RESIDENT ORCHESTRA
MUSIC DIRECTOR | Charles Dutoit

BUENOS AIRES PHILHARMONIC ORCHESTRA
GUEST MUSIC DIRECTOR | Charles Dutoit

DIRECTOR | Enrique Arturo Diemecke

Buenos Aires Philharmonic Orchestra
GUEST CONDUCTOR | Mario Videla
Buenos Aires Orfeón Chorus​​​​​​​
DIRECTOR | Nestor Andrenacci

OPERA IN TWO ACTS (1913)
Libretto in Spanish by Carlos Fernández Shaw
It was first staged in French, adapted by Paul Millet.

DIRECTOR | Kazuki Sawa
WADAIKO | Eitetsu Hayashi

PIANO | Homero Francesch

OPERA IN TWO ACTS (1913)
Libretto in Spanish by Carlos Fernández Shaw
It was first staged in French, adapted by Paul Millet.

OPERA IN TWO ACTS (1913)
Libretto in Spanish by Carlos Fernández Shaw
It was first staged in French, adapted by Paul Millet.

PIANO | Joonas Ahonen

CONDUCTOR | Enrique Arturo Diemecke

OPERA IN TWO ACTS (1913)
Libretto in Spanish by Carlos Fernández Shaw
It was first staged in French, adapted by Paul Millet.

POCKET OPERA IN ONE ACT (2016)
Libretto by Facundo Di Stéfano, translated into French by Marion Bosviel

POCKET OPERA IN ONE ACT (2016)
Libretto by Facundo Di Stéfano, translated into French by Marion Bosviel

POCKET OPERA IN ONE ACT (2016)
Libretto by Facundo Di Stéfano, translated into French by Marion Bosviel

POCKET OPERA IN ONE ACT (2016)
Libretto by Facundo Di Stéfano, translated into French by Marion Bosviel